![]() But, he added, “it’s important to us that if we do a ‘Night Vale’ show, that it’s done in a way that we can feel proud of and feel like it’s still ours.” “The same thing that happened with books and plays, people are realizing that podcasts are just as valuable and rich for storytelling,” Fink said. “What matters is what does the podcast feel like? What is the thing that draws people to it, and can we build that from the ground up in this new form? Everyone’s going to have to face this,” he said.įink and Cranor have so far resisted a TV adaptation of their project, despite strong industry interest. Joseph Fink, who co-created “Welcome to Night Vale” with Jeffrey Cranor, echoed that view. and figure how the story can live” in each one, O’Donnell said. “To me, that’s the dream scenario of how a story can evolve in different mediums and the same creator go with it. It was snapped up by Amazon Studios for a series adaptation, with Mark writing the pilot episode and serving as a co-showrunner. She worked with the playwright on an adaption of the play for one of her first Gimlet podcasts and it proved a winner. She cites the example of “The Horror of Dolores Roach,” which began life as a one-woman play written by Aaron Mark and produced for the stage by O’Donnell. Podcasts and their screen incarnations will differ, said O’Donnell, who was a theater company director being coming to Gimlet. 1 on the company’s podcast charts, displacing Joe Rogan’s podcast from its usual perch. Spotify’s “Batman Unburied” drama debuted in May at No. Nonfiction podcasts, driven by talk and news, remain more popular with audiences, but fiction is gaining traction. The change was destined to happen, she said, and the pace is unabated, with some producers even trying to tease out what’s in the pipeline pre-release - akin to studios jumping on a book before publication. ![]() Then the pandemic idled screen production and “an onslaught of calls” came her way, said O’Donnell. But Hollywood remained resistant to fiction podcasts’ value to TV, O’Donnell said. ![]() Mimi O’Donnell was hired as head of scripted programming for Spotify-owned podcast company Gimlet Media after its “Homecoming” drama made a splash in 2018 with film star Julia Roberts topping the Prime Video adaptation. ![]() and internationally, is marking its 10th year.īut it took a confluence of events to raise podcasting’s profile and change attitudes: The proliferation of streaming services with a voracious need for shows, like Apple TV+ and Peacock, and the COVID-19 pandemic. “Welcome to Night Vale,” a cult hit that’s become the basis of books, albums and live shows in the U.S. The podcast “Serial,” a journalism anthology, and a handful of others were creating buzz, but Bowers said the industry didn’t see it as “a medium for them,” even after he reminded them that the hit 1950s TV sitcom “I Love Lucy” was inspired by a radio show.įiction isn’t new to the podcasting party. Their reaction? “‘Yeah, maybe later,’’ he recalled. You don’t need lighting, you don’t need location shooting, you don’t need expensive sets,’” Bowers said. “I was touting this to some production companies and studios five years ago, saying, ‘This is a great way to test out concepts. Good luck getting an hour of television for $5 million,” he said.Īndy Bowers, a pioneer in podcast production and technology, says Hollywood was bound to catch on. “Let’s say that a really well-done season of a scripted podcast is a half-million dollars. Stern detailed the economic upside of gauging a series’ viability based on a podcast as opposed to a pilot. He joined his father’s company, then Wolf Films, about three years ago and is part of its rebranding that includes storytelling in new media. “You have the ability to really immerse yourself in an audio series that paints the picture much better than anything you can do with the written word,” Wolf said. That reflects the approach of Wolf Entertainment, whose network franchises include “Chicago,” “FBI” and the enduring “Law & Order.” The company headed by Dick Wolf is producing podcasts including “Hunted,” starring Parker Posey and Brandon Scott, and “Dark Woods” with Corey Stoll and Monica Raymund - the latter drama in development by Universal Television.įor studio executives inundated with series proposals that often consist of a single page of description, a well-made podcast is a valuable alternative, said Elliot Wolf, the executive producer of “Dark Woods.”
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |